BiblioVault - Books by Idema, Wilt

A Guide to Chinese Literature

Wilt L. Idema and Lloyd L. Haft

University of Michigan Press, 1997

For at least three thousand years, literature has played a central role in Chinese culture. Even in the most recent times, literary works and their authors have stood in the spotlight of social and political debates that affected the lives of millions. This great respect for literature, together with China’s long history of writing and printing techniques, has resulted in a vast body of writings from past eras, while present-day literary production is so extensive that even the specialist can hardly keep abreast.

A Guide to Chinese Literature provides a broad sketch of this vast terrain. The book is organized into six parts. The first part provides general readers and students of Chinese culture an overview of six crucial features of Chinese literature from beginnings to the early twentieth century. The remaining five parts present a concise overview of the literature itself, arranged into chronological periods: beginnings to 100 CE; 100–1000; 1000–1875; 1875–1915; and 1915 to the present. The development of the major literary genres is traced in each of these periods.

The hardcover edition concludes with an annotated bibliography of more than 120 pages covering the most relevant studies and translations in English, French, German, and Dutch. The paper edition has a shorter bibliography and is intended for classroom use.

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The Red Brush

Writing Women of Imperial China

Wilt L. Idema and Beata Grant

Harvard University Press, 2004

One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women's writing of the imperial period (221 BCE-1911 CE). Many of these writings are of considerable literary quality. Others provide us with moving insights into the lives and feelings of a surprisingly diverse group of women living in Confucian China, a society that perhaps more than any other is known for its patriarchal tradition.

Because of the burgeoning interest in the study of both premodern and modern women in China, several scholarly books, articles, and even anthologies of women's poetry have been published in the last two decades. This anthology differs from previous works by offering a glimpse of women's writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction.

The authors have presented the selections within their respective biographical and historical contexts. This comprehensive approach helps to clarify traditional Chinese ideas on the nature and function of literature as well as on the role of the woman writer.

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Trauma and Transcendence in Early Qing Literature

Wilt L. Idema

Harvard University Press, 2006

The collapse of the Ming dynasty and the Manchu conquest of China were traumatic experiences for Chinese intellectuals, not only because of the many decades of destructive warfare but also because of the adjustments necessary to life under a foreign regime. History became a defining subject in their writings, and it went on shaping literary production in succeeding generations as the Ming continued to be remembered, re-imagined, and refigured on new terms.

The twelve chapters in this volume and the introductory essays on early Qing poetry, prose, and drama understand the writings of this era wholly or in part as attempts to recover from or transcend the trauma of the transition years. By the end of the seventeenth century, the sense of trauma had diminished, and a mood of accommodation had taken hold. Varying shades of lament or reconciliation, critical or nostalgic retrospection on the Ming, and rejection or acceptance of the new order distinguish the many voices in these writings.

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